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Saved from the Wreckage 2: The Pre-Famine Traditional Music of John Edward Pigot and his Contemporaries
The Gallowglass, Cherish the Ladies (Jigs)
Traditional Irish harpers through the long 19th century
The Galway Reel, The Sweetheart, Darby's Farewell to London (Reels)
Peggy Over the Bridge, Un-named, Drummond Lasses (Reels)
Jenny's Wedding, The Stack of Barley (Hornpipes)
Dick Brennan's, The Gander (Jigs)
The Humours of Lissadell, The Master's Return (Reels)
The Primrose Lass, Joe Derrane's, The Copperplate (Reels)
Harp Tune, I’ll Meet You on a Day that Never Ends (Waltzes)
Tommy Whelan's (Reels)
The Walls of Liscarroll, John Joe Gardiner's, Jackson's (Jig)
Jig, Hornpipe and Reel on concert pitch pipes from Conor Mckeon
A Reel and two Jigs from James Mahon on concert pitch pipes
A March a Jig and an Air from Terry Moylan on concert pitch pipes
A Reel a Jig and a Slip Jig from Éanna Ó Muiré on concert pitch pipes
A Reel a Hornpipe and an Air from Tom Creegan on concert pitch pipes
A Hornpipe, a Reel and a Jig from Joe Doyle on concert pitch pipes
A Set Dance and two Jigs from Séamus Ó Rocháin on concert pitch pipes
A March, a Jig and a Reel from Kieran O'Hare on concert pitch pipes
A March, a Jig and a Hornpipe from Tommy Martin on concert pitch pipes
Two Jigs and a Reel from Emmett Gill on flat pipes pitched in C
Two Jigs and a Reel from Sean Potts on flat pipes pitched in B
Two Jigs and a Reel from Nollaig Mac Cárthaigh on flat pipes pitched in C#