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Diarmaid Moynihan (Whistle) - The Cobblestone, Dublin - 4-4-2023

Tune from Susana Seivane, Un-named, Un-named (Air, Jigs)

Diarmaid Moynihan (Whistle) - The Cobblestone, Dublin - 4-4-2023

Homeward Bound (Air)

Diarmaid Moynihan (Pipes) - The Cobblestone, Dublin - 4-4-2023

Dunphy's, The Flowers in the Forest (Hornpipe, Reel)

Diarmaid Moynihan (Pipes) - The Cobblestone, Dublin - 4-4-2023

Bleizi Ruz, Son Ar Rost (Marches)

Notes and Narratives - Ceri Rhys Matthews & Rick Lines - 20th April 2023

‘To-ing and Fro-ing’ - Exploring connections between regions in Wales and Ireland

An Píobaire

An Píobaire - volume 19, issue 1 (Feb 2023)

Ciarán Mac Fheidhlimidh (Pipes) - Henrietta Street, Dublin - 5-12-2018

The Green Groves of Erin, The London Lasses (Reels)

Ciarán Mac Fheidhlimidh (Pipes) - Henrietta Street, Dublin - 5-12-2018

Caisleán Tuaim Gréine, The Boys of Bluehill (Hornpipes)

Ciarán Mac Fheidhlimidh (Pipes) - Henrietta Street, Dublin - 5-12-2018

The Reverend Brother's Jig, The Green Fields of America (Jigs)

Ciarán Mac Fheidhlimidh (Pipes) - Henrietta Street, Dublin - 5-12-2018

Bonnie Anne, The Rainy Day (Reels)

Liam Winnett (Pipes) - Athlone, Ireland - 18-4-2023

The Whinny Hills of Leitrim, Will You Come Down to Limerick?, Hardiman the Fiddler (Slip Jigs)

20 - Assessing the reed for tuning and final adjustment

20 - Assessing the reed for tuning and final adjustment

19 - Fitting dry binding to the bottom of the reed

19 - Fitting dry binding to the bottom of the reed

18 - Attaching the bridle

18 - Attaching the bridle

17 - Trimming the tips

17 - Trimming the tips

16 - Finishing the reed

16 - Finishing the reed

15 - Binding the reed head to the staple

15 - Binding the reed head to the staple

14 - Preparing the staple

14 - Preparing the staple

13 - Four further steps to prepare the reed head for binding

13 - Four further steps to prepare the reed head for binding

12 - Sanding both pieces on the outside

12 - Sanding both pieces on the outside

11 - Sanding both pieces on the inside

11 - Sanding both pieces on the inside

10 - Cutting the slip in half

10 - Cutting the slip in half

9 - Sanding the slip using a sanding block

9 - Sanding the slip using a sanding block

8 - Shaping the tails using the template

8 - Shaping the tails using the template

7 - Gouging the inside of the slip

7 - Gouging the inside of the slip

6 - Using sand paper to emphasise curve

6 - Using sand paper to emphasise curve

5 - Using gouges to chamfer and add curve to the slip

5 - Using gouges to chamfer and add curve to the slip

4 - Cutting the slips to size using template and plane

4 - Cutting the slips to size using template and plane

3 - Introduction to strips of spruce and varients in grain

3 - Introduction to strips of spruce and varients in grain

2 - Why Spruce Reeds?

2 - Why Spruce Reeds?

1 - Introduction

1 - Introduction

40 - Adjusting tuning and cracking back D

40 - Adjusting tuning and cracking back D

39 - Cropping the Reed and assessing tuning

39 - Cropping the Reed and assessing tuning

38 - Fixing a jumping back D

38 - Fixing a jumping back D

37 - Measuring a jumping and cracking back D

37 - Measuring a jumping and cracking back D

36 - Assessing tuning of A and back D

36 - Assessing tuning of A and back D

35 - Assessing the crow after attaching the Bridle

35 - Assessing the crow after attaching the Bridle

34 - Attaching the Bridle to the Reed

34 - Attaching the Bridle to the Reed

33 - Making the Bridle

33 - Making the Bridle

32 - Checking the slope of the surface

32 - Checking the slope of the surface

31 - The Scrape stage 5 - sanding the Reed Head

31 - The scrape Stage 5 - sanding the Reed Head

30 - The Scrape Stage 4 - using a diamond file

30 - The Scrape Stage 4 - using a diamond file

29 - The Scrape Stage 3 - scraping the outside with a knife

29 - The Scrape Stage 3 - scraping the outside with a knife

28 - Checking if Scraping is flat using light

28 - Checking if Scraping is flat using light

27 - The Scrape Stage 2 - high part of the Reed

27 - The Scrape Stage 2 - high part of the Reed

26 - Explaining the importance of thickness in different parts of the Reed

26 - Explaining the importance of thickness in different parts of the Reed

25 - The Scrape Stage 1 - Bottom part of Reed

25 - The Scrape Stage 1 - Bottom part of Reed

24 - Marking the Reed Head using Templates

24 - Marking the Reed Head using Templates

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